film-documentaire.fr | PORTAIL DU FILM DOCUMENTAIRE

img img
Embers
Braises
AUTEUR(S)-RÉALISATEUR(S)

Tamara Stepanyan

IMAGE

Tamara Stepanyan

SON

Raed Younnan

MONTAGE

Michele Tyan

MUSIQUE ORIGINALE

Cynthia Zaven

PRODUCTION / DIFFUSION

Tamara Stepanyan, Michele Tyan

PARTICIPATION

The Screen Institute Beirut - The Film Fund

ORGANISME(S) DÉTENTEUR(S) ou DÉPOSITAIRE(S)

Tamara Stepanyan, La Maison du doc

ISAN : non renseigné - en savoir plus
COMMENT VISIONNER CE FILM ?
  • Distributeur(s) :

    Tamara Stepanyan

  • Vidéothèque permanente, gérée par la Maison du documentaire, accessible sur place ou à distance et réservée exclusivement aux professionnels de l’audiovisuel.
    En savoir plus

Un dialogue entre deux générations. Un dialogue pour explorer à la fois le passé et le présent. Nostalgie pour un temps qui n'est plus, un temps absent que les souvenirs de ceux qui l'ont connu rendent présent. Le sujet du film : un sentiment. Le sentiment de la perte et de la disparition d'un temps dont il ne subsiste que d'invisibles rémanences.

A dialogue between two generations. Physically represented by a Tamara who is the grandchild of older Tamara, the grandmother, who passed away. A dialogue to explore the past and the present. The nostalgia of an era that is absent now yet some members of this time still exist today. They’re friends of Tamara, who fought WWII with her in 1945. The young Tamara, being myself, went in search of them to bring to life my grandmother Tamara through their souvenirs, ideologies, fights and remembrance. The main protagonist of the film is an absent hero; Tamara. Her friends are there, in the present. But are they? I have tried through this documentary to capture the last remaining figures who through tout the film are felt to part with us, to bring forward their last words. Some of them are rigid and in coherence with their thoughts, yet others being totally emotional and in tears as they remember their youth, as well some being totally in loss, in absence. The subject of the film is ‘a feeling’. The feeling of loss and disappearance. Of a time that existed and now only the almost invisible remnants are still there. The film is not about one person or one ideology or one belief. Yet a totality of this loss, of the last of the Mohicans.

Distinctions