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Brecht
© Stefan Falke / WDR
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AUTEUR(S)-RÉALISATEUR(S)

Heinrich Breloer

IMAGE

Gernot Roll

SON

Miroslav Píbil

MONTAGE

Claudia Wolscht

MUSIQUE ORIGINALE

Hans Peter Ströer

PRODUCTION / DIFFUSION

Bavaria Film International, Satel Film

ORGANISME(S) DÉTENTEUR(S) ou DÉPOSITAIRE(S)

Bavaria Film International

ISAN : non renseigné - en savoir plus
COMMENT VISIONNER CE FILM ?

Pas de résumé français disponible

DOCU-FICTION

After award-winning docu-dramas such as Die Manns - Ein Jahrhundertroman (The Manns - Novel of a Century), Heinrich Breloer turns his attentions to the biography of the writer Bertolt Brecht (1898-1956). In a mixture of fiction and documentary, his film sketches a self-confident man who was nonetheless beset by doubts, full of a lust for life and vulnerability. Brecht’s art reflects his inner conflict and is closely linked to the political upheavals of the time. Following Brecht’s life from the beginning of World War I to his death, Breloer concentrates on Brecht’s relationships with his women and his colleagues at the Berliner Ensemble. Time and again, individual portraits are distilled from the extensive material, including that of Brecht’s wife Helene Weigel, who played the legendary role of ‘Mother Courage’; his protégé Martin Pohl, who was arrested by the Stasi; and Brecht’s collaborator and lover, Ruth Berlau. Excerpts from interviews with Brecht’s first love Paula Banholzer, directors Egon Monk and Manfred Wekwerth, actor Regine Lutz and many others contribute to this portrait of the icon of political theatre as a combative, loving and conflicted contemporary.

DOCU-FICTION

After award-winning docu-dramas such as Die Manns - Ein Jahrhundertroman (The Manns - Novel of a Century), Heinrich Breloer turns his attentions to the biography of the writer Bertolt Brecht (1898-1956). In a mixture of fiction and documentary, his film sketches a self-confident man who was nonetheless beset by doubts, full of a lust for life and vulnerability. Brecht’s art reflects his inner conflict and is closely linked to the political upheavals of the time. Following Brecht’s life from the beginning of World War I to his death, Breloer concentrates on Brecht’s relationships with his women and his colleagues at the Berliner Ensemble. Time and again, individual portraits are distilled from the extensive material, including that of Brecht’s wife Helene Weigel, who played the legendary role of ‘Mother Courage’; his protégé Martin Pohl, who was arrested by the Stasi; and Brecht’s collaborator and lover, Ruth Berlau. Excerpts from interviews with Brecht’s first love Paula Banholzer, directors Egon Monk and Manfred Wekwerth, actor Regine Lutz and many others contribute to this portrait of the icon of political theatre as a combative, loving and conflicted contemporary.

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