film-documentaire.fr | PORTAIL DU FILM DOCUMENTAIRE

img img
Meu amigo Fela
Mon ami Fela
My Friend Fela
© Casa de Criação Cinema e Artes
1/2
AUTEUR(S)-RÉALISATEUR(S)

Joel Zito Araújo

IMAGE

Cleumo Segond

SON

Waldir Xavier

MONTAGE

Isabel Mattos Castro

MUSIQUE ORIGINALE

Bourama Traoré

PRODUCTION / DIFFUSION

Casa de Criação Cinema e Artes

ORGANISME(S) DÉTENTEUR(S) ou DÉPOSITAIRE(S)

O2 Play

ISAN : non renseigné - en savoir plus
COMMENT VISIONNER CE FILM ?

Pas de résumé français disponible

My Friend Fela provides a new perspective on the Nigerian musician Fela Kuti, in order to counter the most often portrayed narrative of Fela “as an eccentric African pop idol of the ghetto”, according to director Joel Zito Araújo. The complexity of Fela’s life is unravelled through the eyes and conversations of his close friend and official biographer, the African-Cuban Carlos Moore. As the documentary unfolds, it reveals the many influences and forces that shaped Fela’s extraordinary life: from the relationship he had with his mother to his many and problematic relationships with women, from his ties with his spiritual advisor Professor Hindu to his mutually influential encounters with African Americans. By placing Fela’s personal history in a pan-African context, the film becomes not only a portrait of one man but also of a pan-African generation.

My Friend Fela provides a new perspective on the Nigerian musician Fela Kuti, in order to counter the most often portrayed narrative of Fela “as an eccentric African pop idol of the ghetto”, according to director Joel Zito Araújo. The complexity of Fela’s life is unravelled through the eyes and conversations of his close friend and official biographer, the African-Cuban Carlos Moore. As the documentary unfolds, it reveals the many influences and forces that shaped Fela’s extraordinary life: from the relationship he had with his mother to his many and problematic relationships with women, from his ties with his spiritual advisor Professor Hindu to his mutually influential encounters with African Americans. By placing Fela’s personal history in a pan-African context, the film becomes not only a portrait of one man but also of a pan-African generation.

Distinctions