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The Last Autumn
© Akkeri Films / Biti aptan bæði
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AUTEUR(S)-RÉALISATEUR(S)

Yrsa Roca Fannberg

IMAGE

Carlos Vásquez Méndez

MONTAGE

Federico Delpero Bejar

MUSIQUE ORIGINALE

Gyða Valtýsdóttir

PRODUCTION / DIFFUSION

Akkeri Films, Biti aptan bæði

ORGANISME(S) DÉTENTEUR(S) ou DÉPOSITAIRE(S)

Akkeri Films

ISAN : non renseigné - en savoir plus
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Pas de résumé français disponible

According to legend, “at the beginning of the world once again there was neither sand nor sea, neither soothing waves nor billowing meadows, neither playful winds nor sky, only a gaping abyss.” The nothingness receded, and there at the edge of the world Iceland emerged. A man and a woman traveled with their livestock to take up residence on the island’s farthest cape – beyond which there is only the inhospitable Arctic Ocean. It is autumn, and Úlfar and his wife are once again visited by their grandchildren, who help them drive the sheep from the hills down to the farm. But this year will be the last time. An almost tangible cinematic fabric that weaves a tale of an abandoned place where the mist clings to the steel-blue surface of the sea and where the occasional human visitor is sometimes welcome.
(Martin Horyna)

According to legend, “at the beginning of the world once again there was neither sand nor sea, neither soothing waves nor billowing meadows, neither playful winds nor sky, only a gaping abyss.” The nothingness receded, and there at the edge of the world Iceland emerged. A man and a woman traveled with their livestock to take up residence on the island’s farthest cape – beyond which there is only the inhospitable Arctic Ocean. It is autumn, and Úlfar and his wife are once again visited by their grandchildren, who help them drive the sheep from the hills down to the farm. But this year will be the last time. An almost tangible cinematic fabric that weaves a tale of an abandoned place where the mist clings to the steel-blue surface of the sea and where the occasional human visitor is sometimes welcome.
(Martin Horyna)

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