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Breakfast in Kisumu
© Coretta Productions
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AUTEUR(S)-RÉALISATEUR(S)

Rebecca Achieng Ajulu-Bushell

IMAGE

Oliver Bradley-Baker

SON

Oliver Bradley-Baker

MONTAGE

Mdhamiri Á Nkemi, Oliver Bradley-Baker, Rebecca Achieng Ajulu-Bushell

MUSIQUE ORIGINALE

Sheku Kanneh-Mason

PRODUCTION / DIFFUSION

Coretta Productions

ORGANISME(S) DÉTENTEUR(S) ou DÉPOSITAIRE(S)

Coretta Productions

ISAN : non renseigné - en savoir plus
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Pas de résumé français disponible

Rok Ajulu (1950-2016) was a leading Kenyan academic and activist who was involved in the struggle against apartheid in South Africa. This short documentary is his daughter Rebecca’s tribute to her father. The film’s leitmotif is an intimate conversation between father and daughter that she recorded shortly before Ajulu discovered he was terminally ill. He talks about the many twists and turns in a life in which he fought for freedom, but found himself in prison or exile on many occasions. They cover his time as an activist student in 1970s Kenya, his studies in Bulgaria, his first academic position in England, and his close ties with South Africa.
Onscreen, his daughter extends the conversation by traveling to the locations he talks about. She and cameraman Ollie Bradley-Baker capture these places in impressionistic style and in a variety of formats, from grainy 16mm to pin-sharp digital footage. Along the way, we discover that her attempt to get to know the man who was only sporadically present in her life is also her way of sharing him with the world.

Rok Ajulu (1950-2016) was a leading Kenyan academic and activist who was involved in the struggle against apartheid in South Africa. This short documentary is his daughter Rebecca’s tribute to her father. The film’s leitmotif is an intimate conversation between father and daughter that she recorded shortly before Ajulu discovered he was terminally ill. He talks about the many twists and turns in a life in which he fought for freedom, but found himself in prison or exile on many occasions. They cover his time as an activist student in 1970s Kenya, his studies in Bulgaria, his first academic position in England, and his close ties with South Africa.
Onscreen, his daughter extends the conversation by traveling to the locations he talks about. She and cameraman Ollie Bradley-Baker capture these places in impressionistic style and in a variety of formats, from grainy 16mm to pin-sharp digital footage. Along the way, we discover that her attempt to get to know the man who was only sporadically present in her life is also her way of sharing him with the world.

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