ANIMATION

En japonais, il existe un mot spécifique pour désigner les vies qui ne voient pas le jour. Mizuko, qui signifie mot-à-mot "enfant de l'eau", est utilisé pour faire référence aux fausses couches et aux avortements. À ce mot, s'ajoute un rituel bouddhiste pour le deuil appelé mizuko kuyo qui permet aux femmes de métaphoriquement rendre à la mer leurs enfants d'eau. Mizuko raconte l'histoire personnelle de l'avortement d'une réalisatrice américano-japonaise aux États-Unis face au contexte culturel. Tissant différents styles d'animation et d'images filmées en Super 8, le film est une confrontation intime avec l'incomparable expérience de mettre un terme à sa grossesse.

ANIMATION

In Japanese there’s a specific word for an unborn life: mizuko, which means “water child,” is used for both miscarried and aborted pregnancies. In addition to the word, there’s a dedicated ritual accompanied by Buddhist figurines that represent the interrupted life and, like a grave, have their own place.
The narrator’s voice belongs to a Japanese-American woman who grew up in New York. She tells the story of her abortion, and reflects on the carefree summers she spent in Japan during childhood and young adulthood, and on how life and death are seen there.
Visually, this personal account of her time in New York is told through Super 8mm footage and stop-motion animation, while her memories of Japan are accompanied by colorful and fluid watercolor drawings. These two separate worlds are brought together by her voice, switching between Japanese and English, and the soothing sound of water in the background.